Coughing Fit: Bearing Witness To A Violinist Nearly Choke To Death

Coughing Fit: Bearing Witness To A Violinist Nearly Choke To Death

A few weeks back, my wife and I went to see the Brooklyn Philharmonic. The concert was a blast, but what has really lingered in my mind more than the music itself was watching one of the violinists struggle through a choking fit onstage.

I witnessed a slight tickle in the throat mount into a respiratory mini-melodrama of operatic proportions, all to the tune of “Am I Born” by David Little.

With our balcony seats, we were practically hovering above the performers. This bird’s eye view had my sightlines centered directly on the string section for most of the evening. It’s safe to say I’ve never been so close to a symphony in the midst of a recital before. Beholding the mechanical precision of the orchestra from above was like popping the hood on a car and letting its engine rev, observing all the various cogs and pistons as they operate in harmony with one another.

Which was why this gagging violinist caught my attention pretty quickly.

Somewhere within the second act, her neck started to strain.

I could tell she was trying to suppress a cough. Swallow it back down. There was a lull in the strings, which gave her a chance to hold her hand over her mouth—but the cough wouldn’t dissipate. If anything, from my vantage point, it looked like it was intensifying. This poor performer continued to wrestle with her own throat from the string section, the tendons in her neck stretched to the point of snapping.

But she refused to cough. She refused to disrupt the music.

She kept pushing, pushing it down into her chest—while that assiduous hack, mounting in its own unremitting intensity, continued to claw its way back up.

When it was time to pick up her violin and play, it was easy to see that she was in a considerable amount of pain. Her face was flushed, eyes watering, almost as if she were responding to the beauty of the music itself—but no, that was actually a volcanic reflex against her glottis, a swell of trapped air yearning to burst free from her lungs.

But she wouldn’t let the cough win. Even at the expense of her own physical well-being, her own comfort, she would not upset the cantata.

I felt helpless, absolutely helpless, stuck where I was, watching this all transpire. But what was even more prostrating was, once the show was over and I asked my wife about the choking violinist, she said she hadn’t noticed…

Had anyone else seen the torment this woman had gone through?

Had I been the only one?

Whoever you are, ma’am, I just wanted to let you know I saw everything. I saw your phlegmatic battle—and I saw you win.

Your struggle wasn’t in vain.

April 11, 2012


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“The filmmakers take on this fascinating subject is not only bold and honest, it is also utterly hilarious, thanks mostly to the deliciously creepy voice-over work of screenwriter Chapman. ...Chapman sounds like a deranged poet who's clearly spent too much time studying that other Lovecraft while in the asylum. His fevered hysteria... rivals that of the great Gene Wilder for sheer simulated delirium, a true spectacle indeed. ”
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