Play reading at The Kennedy Center!
Just got word that a new play of mine—"The Penalty," inspired by the 1920 Lon Chaney silent film, will be given a developmental reading in part of The Kennedy Center's 11th Annual Page To Stage Festival!
"The Penalty" is a commissioned piece by The Apothetae, along with Dixon Place. The Apothetae is a company dedicated to the production of full-length plays about the "Disabled Experience." They have been invited to The Kennedy Center for the Performing Arts in Washington, D.C. to workshop four of their new original works at the Page to Stage Festival this coming September. Here's a synopsis for the play:
New York City. 1920. A legless beggar pleads with the oncoming foot-traffic for spare change. Barely a nickel comes his way. But what these pedestrians don’t know is—this deformed derelict at their heels is none other than Blizzard, kingpin to the seedy underbelly of the Lower East Side. With an army of dancing girls at his beck and call, Blizzard is hell-bent on executing his master plan: Get his revenge against the prominent doctor who left him in this condition—and against the city that could’ve cared less. Enter the good doctor’s daughter, Sofie, an artist living in the LES. When she asks our vengeful vagrant to pose for a new portrait, completely unaware of Blizzard’s history with her father, the stage is set for a showdown between this trio.
Three people. Four legs. One game of revenge.
Inspired by the novel “The Penalty” by Gouverneur Morris, and its film adaptation written by Charles Kenyon and directed by Wallace Worsley.
For more info about the Page to Stage fest: http://bit.ly/MhEbT3
For info on The Apothetae: http://bit.ly/MhEkpQ
August 3, 2012
Related: The PenaltyLeave a Comment
“The filmmakers take on this fascinating subject is not only bold and honest, it is also utterly hilarious, thanks mostly to the deliciously creepy voice-over work of screenwriter Chapman. ...Chapman sounds like a deranged poet who's clearly spent too much time studying that other Lovecraft while in the asylum. His fevered hysteria... rivals that of the great Gene Wilder for sheer simulated delirium, a true spectacle indeed. ”
— Film Threat