QUIET PART LOUD
A Horror Podcast from Jordan Peele's Monkeypaw Productions
Monkeypaw presents Quiet Part Loud, a fictional horror podcast series with immersive sound design. Featuring Tracy Letts, Arian Moayed, Christina Hendricks, Taran Killam and more!
Rick Egan, a fear-mongering, right-wing radio host who loses his platform in the wake of 9/11 for spreading xenophobic rumors surrounding a group of missing Muslim teenagers. Eight years later, the washed-up Egan is slumming it on the convention circuit when a mysterious woman offers a tantalizing revelation: one of the missing teens has reappeared. Egan embarks on a crusade for vindication and ultimately makes a Faustian bargain with a demonic, shape-shifting sound monster known as “The Blank” — which thrives on hatred.
Written by Mac Rogers and Clay McLeod Chapman. Directed by Mimi O’Donnell. Produced by Geoff Foster, Amy McLeish, and Katie Pastore. Executive Produced by Jordan Peele, Win Rosenfeld, and Mimi O’Donnell. Exclusively on Spotify: 11/15/22. To listen, click here.
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Boasting over 40 half-hour original shows, winner of three NRC Radio Awards for best Audio Dramas that “push the state of the art to the next level” (Slate Magazine), Tales from Beyond the Pale is the daring series of audio dramas created by Larry Fessenden and Glenn McQuaid for Glass Eye Pix. Season four features 10 newly released tales, recorded before a live audience in LA, Montreal, and Colorado at one-time-only events. Woman: Ana Asensio Man: Clay McLeod Chapman Haverty: Larry Fessenden Marge: Kate Flannery Grady: Martin Starr Drunk Patron: Glenn McQuaid Listen to this itchy/scratchy tale from season four of 
Glass Eye Pix, the fiercely independent film company behind STAKE LAND, THE INNKEEPERS and I SELL THE DEAD, in association with Clay McLeod Chapman’s FEAR-MONGERS: FIRESIDE CHATS ABOUT HORROR FILMS, is taking its successful audio dramas TALES FROM BEYOND THE PALE out of the studio and onto the stage. A new twist on the vintage radio shows of yesteryear, Larry Fessenden and Glenn McQuaid’s TALES FROM BEYOND THE PALE has already thrilled fans of the macabre with it’s first season of creepy dramas released last year. Now they are upping the ante and recording 8 original audio shows before a live audience. Journey beyond the pale as Fessenden and Co. present a double-bill of original genre stories performed by an exciting cast of special guests, and featuring live music, live foley, and live sound effects by a team of audio artisans. A feast for eyes and ears. “Like Father, Like Son,” was performed live at Dixon Place on October 2, 2012, featuring Larry Fessenden and Vincent D’Onofrio, along with Joe Maggio’s “Ram King.” For more info on Tales from Beyond the Pale, go to: 
(2013) New York City. 1920. A legless beggar pleads with the oncoming foot-traffic for spare change. Barely a nickel comes his way. But what these pedestrians don’t know is—this deformed derelict at their heels is none other than Blizzard, kingpin to the seedy underbelly of the Lower East Side. With an army of dancing girls at his beck and call, Blizzard is hell-bent on executing his master plan: Get his revenge against the prominent doctor who left him in this condition—and against the city that could’ve cared less. Enter the good doctor’s daughter, Sofie, an artist living in the LES. When she asks our vengeful vagrant to pose for a new portrait, completely unaware of Blizzard’s history with her father, the stage is set for a showdown between this trio. Three people. Four legs. One game of revenge. Inspired by the novel “The Penalty” by Gouverneur Morris, and its film adaptation, starring Lon Chaney, written by Charles Kenyon and directed by Wallace Worsley. “The Penalty” is a commissioned piece by The Apothetae, along with Dixon Place. The Apothetae is a company dedicated to the production of full-length plays about the “Disabled Experience.”
Coverage for SCKBSTD: “
Coverage for Hostage Song: “
(2006) In Junta High, Clay McLeod Chapman crafts a Sweet Valley-styled high school for terrorists where cheerleaders double as suicide bombers and guidance counselors are taken hostage by the A/V club. Holy causes worth dying for galvanize school spirits, blood is shed on the football field every Friday night and the marching band fervently plays on. Original music performed by the Hungry March Band. Premiered at Performance Space 122..jpg)
(2005) The Pumpkin Pie Show in: the cardiac shadow Written by Clay McLeod Chapman Music by Joshua Camp and Michael Hearst (of One Ring Zero) Choreography by Blair Bodie Lighting design by: Sabrina Braswell Performed by: Hannah Bos, Hanna Cheek, Alexa Scott-Flaherty, Jordan Simmons, and Paul Thureen Four women were procured from the Ravensbruck concentration camp, hand-selected by SS Second Lieutenant Dr. Sigmund Rascher, Air Force physician. These four women were “volunteered” for a series of experiments that would eventually come to be known as the cold conference — tests specifically designed to determine the endurance of the human body to extreme temperatures. The voices of these four women have since disappeared. Where does the human spirit go when the body must remain behind, frozen inside an atrocity? This performance was originally presented as a part of PS 122’s The New, New Stuff, a three week festival of new and emerging artists. For more information, 
